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Animals, plants, and fungi depend on this humble tree, but its future—and theirs—is all but certain.

A Haiku by Matsuo Bashō

Continuing our series of posts of poems that feature oaks: a haiku by the legendary Japanese poet Matsuo Bashō (1644–1694).

If you would like to propose a poem for inclusion in this series, please click here.

 

Original Japanese:

樫の木の花にかまはぬ姿かな

 

Romanized text:

kashi no ki no / hana ni kamawanu / sugata kana

(click here to hear a pronunciation of the text courtesy of Google)

 

Literal translation:

oak of tree of / flower to care not / a pose

 

Translations in English:

The oak tree:
not interested
in cherry blossoms.

Robert Hass

the oak tree
pays no attention to flowers
a pose

Jane Reichhold

An oak tree -
Aloof from flowers
Its figure looks.

Takafumi Saito & William R. Nelson

The oak’s nobility -
indifferent to flowers -
or so it appears

Sam Hamill

the dignified stature
of the oak, indifferent
to the blossoms

David Landis Barnhill

the Kashi oak
seems not to care about
the cherry blossoms . . .

Gabi Greve

 

 

This haiku was composed in the spring of 1685, as a greeting verse for Mitsui Shūfū (1646–1717), a rich kimono merchant and haikai poet from Kyoto. It was included in Bashō's book Narrow Road to the Interior, a travel diary that combines short prose passages with haiku. This haiku is preceded by this text:

In the capital, I visited a renowned patron of poets, Mitsui Shūfū, in his mountain estate, and in a plum grove wrote:

(Tr. Sam Hamill)

According to Jane Reichhold, "Bashō compares his host to Quercus glauca, a hardy evergreen species of oak that grows in the mountains, implying that he is a manly man in contrast to the showiness of flowers." However, the word kashi (樫) refers to any evergreen Japanese oak. Species of evergreen oak are named by combining kashi with another word, e.g. akakashi (赤樫, "red oak") = Q. acutaichiigashi  (一位樫, "first oak, noble oak") = Q. gilva; shiragashi (白樫, "white oak") = Q. myrsinifolia; arakashi (赤樫, "rough oak") = Q. glauca. But it is possible, of course, that Bashō referred specifically to Q. glauca.

Matsuo Basho - Cleveland Museum of Art
Portrait of Bashō , 1700s. Ichijun (Japanese, active 1700s). Hanging scroll; ink and color on paper. The Cleveland Museum of Art, John L. Severance Fund 1988.72